Biden to nominate Janet Yellen as US treasury secretary

From BBC

US President-elect Joe Biden has named ex-Federal Reserve chair Janet Yellen as his nominee for treasury secretary.

If confirmed by the Senate, she would be the first woman ever to hold the post.

She was among several women chosen for top economic positions. The Biden transition team said others were set to break racial barriers if confirmed.

Mr Biden has pledged to build a diverse administration. He earlier appointed an all-female senior press team.

His transition team said his picks for senior economic roles would help “lift America out of the current economic downturn and build back better”.

Mr Biden has also announced the formation of a Presidential Inaugural Committee ahead of his swearing-in on 20 January. The committee will be responsible for organising inauguration-related activities.

Who is Janet Yellen?

  • Chair, Board of Governors, 2014–2018
  • Vice Chair, Board of Governors, 2010–2014
  • President, Federal Reserve Bank of San Francisco, 2004–2010
  • Governor, Board of Governors, 1994–1997

The 74-year-old economist has served as head of America’s central bank and as a top economics adviser to former President Bill Clinton.

She is credited with helping steer the economic recovery after the 2007 financial crisis and ensuing recession.

As chair of the US Federal Reserve, Ms Yellen was known for focusing more attention on the impact of the bank’s policies on workers and the costs of America’s rising inequality.

Mr Trump bucked Washington tradition when he opted not to appoint Ms Yellen to a second four-year term at the Fed. Starting with Bill Clinton in the 1990s, presidents kept on bank leaders appointed by their predecessors in an effort to de-politicise the bank.

Since leaving the bank in 2018, Ms Yellen has spoken out about climate change and the need for Washington to do more to shield the US economy from the impact of the coronavirus pandemic.

In a tweet following Monday’s announcement, Ms Yellen said: “We face great challenges as a country right now. To recover, we must restore the American dream – a society where each person can rise to their potential and dream even bigger for their children.

“As Treasury Secretary, I will work every day towards rebuilding that dream for all.”

President of the European Central Bank Christine Lagarde praised Mr Biden’s choice, writing in a tweet: “Her intelligence, tenacity and calm approach make Janet a trailblazer for women everywhere.”

Republican Chairman of the Senate Finance Committee Chuck Grassley said that he expects Ms Yellen to “get a favourable view” during confirmation hearings before his committee.

In 2020, AP photographers captured a world in distress

Behold, a world in distress:

A 64-year-old woman weeps, hugging her husband as he lay dying in the COVID-19 unit of a California hospital. A crowded refugee camp in Lesbos, Greece, engulfed in flames, disgorges a string of migrants fleeing this hell on Earth. Rain-swept protesters, enraged by the death of George Floyd in police custody, rail against the system and the heavens.

This is the world that Associated Press photographers captured in 2020, a world beset by every sort of catastrophe — natural and unnatural disaster, violent and non-violent conflict.

And, in every corner of that world, the coronavirus.

There are the living: Women cover themselves head to toe with chadors, protective clothing and gas masks to prepare a body for burial in Iran. An octogenarian couple kiss through plastic in Spain.

Agustina Canamero, 81, and Pascual Perez, 84, hug and kiss through a plastic film screen to avoid contracting the coronavirus at a nursing home in Barcelona, Spain, on June 22, 2020. (AP Photo/Emilio Morenatti)

There are the dead: Relatives, traveling by night and by boat, travel down a Peruvian river to bring a body home for burial. Row upon row of new graves are dug in the largest cemetery in Latin America.

And there are those who negotiate the grim space between life and death — among them, 16 Italian doctors and nurses exhausted from their labors, their faces haunted and haunting.

Amid the pandemic, it was sometimes easy to overlook the world’s other turmoil — and its tragedies. A loving uncle carries his 11-year-old niece away from the devastation of a massive explosion in Beirut — her neck was broken, and her older sister died. In Syria, emergency workers pull the body of a boy killed in a government airstrike from the wreckage.

Wildfires gave the American West an eerie glow; a volcano eruption clouded the sky over Manila.

Across the United States, photographers documented an epic and bilious presidential campaign. An exultant Joe Biden, projected on a massive monitor under fireworks after he accepted the Democratic presidential nomination. A dejected Donald Trump, after a sparsely attended rally in Oklahoma.

And perhaps the most appropriate image of 2020? It was captured during the waves of protests and riots in the aftermath of George Floyd’s death. A protester strides past a burning building in Minneapolis; in his hands he holds the American flag.

The flag is upside down — the international signal of distress.

Protesters storm the San Francisco de Borja church, which belongs to the Carabineros, Chile’s national police force, in Santiago, Chile, on Oct. 18, 2020, the first anniversary of the start of anti-government mass protests over inequality. (AP Photo/Esteban Felix)

President Donald Trump holds a Bible as he stands outside St. John’s Church across Lafayette Park from the White House in Washington on June 1, 2020, after law enforcement officers used tear gas and other riot control tactics to forcefully clear peaceful protesters from the area. (AP Photo/Patrick Semansky)

Cuban singer Cimafunk hugs a woman during a music conga through the streets of Cuba’s Old Havana neighborhood during the 35th Havana International Jazz Festival on Jan. 15, 2020. (AP Photo/Ramon Espinosa)

Josefa Ribas, 86, who is bedridden and suffers from dementia, is attended to by nurse Laura Valdes during a home care visit in Barcelona, Spain, on April 7, 2020. Ribas’ husband, Jose Marcos, fears what will happen if the coronavirus enters their home and infects them. “I survived the post-war period (of mass hunger). I hope I survive this pandemic,” he said. (AP Photo/Emilio Morenatti)

Swarms of desert locusts fly into the air from crops in Katitika village in Kenya’s Kitui county on Jan. 24, 2020. In the worst outbreak in a quarter-century, hundreds of millions of the insects swarmed into Kenya from Somalia and Ethiopia, destroying farmland and threatening an already vulnerable region. (AP Photo/Ben Curtis)

Sneakers and a Los Angeles Lakers jersey with the number 8 worn by NBA star Kobe Bryant hang at a memorial for Bryant in Los Angeles on Feb. 2, 2020, a week after he was killed in a helicopter crash. (AP Photo/Damian Dovarganes)

A woman wearing a mask to protect against infection from COVID-19 is reflected in a tinted chapel window, along with a metal casing said to contain the remains of St. Dimitrie of Basarabov, the patron saint of the Romanian capital, in Bucharest, Romania on Oct. 25, 2020. The feast of St. Dimitrie of Basarabov, which usually lasts for a week and draws up to 100,000 people, was cut way back this year due to the coronavirus. (AP Photo/Andreea Alexandru)

An emergency crew recovers the body of a boy killed in a government airstrike in the city of Idlib, Syria on Feb. 11, 2020. (AP Photo/Ghaith Alsayed)

A reveler dressed in a Spider-Man costume strikes a pose at the “Ceu na Terra” or Heaven on Earth street party in Rio de Janeiro, Brazil on Feb. 22, 2020, during the Carnival celebration. (AP Photo/Leo Correa)

One-year-old Yazan has his oxygen mask removed after heart surgery at the Tajoura National Heart Center in Tripoli, Libya, on Feb. 27, 2020. Yazan’s perilous trek from his small desert hometown culminated in a five-hour surgery. He is one of 1,000 children treated by Dr. William Novick’s group since it first came to Libya after the 2011 uprising. (AP Photo/Felipe Dana)

A model wears a creation for the Givenchy fashion collection during Women’s fashion week Fall/Winter 2020/21 presented in Paris on March 1, 2020. (Photo by Vianney Le Caer/Invision/AP)

A child wearing a mask to protect against the coronavirus rests on the bank of the Yangtze River in Wuhan in central China’s Hubei province on April 16, 2020. (AP Photo/Ng Han Guan)

Rescue workers and local residents search for survivors in the wreckage of a plane that crashed with nearly 100 people onboard in a residential area of Karachi, Pakistan, on May 22, 2020. (AP Photo/Fareed Khan)

People stand in their balconies during a nationwide confinement to counter the coronavirus in Barcelona, Spain on March 29, 2020. (AP Photo/Emilio Morenatti)

Martina Papponetti, 25, a nurse at the Humanitas Gavazzeni Hospital in Bergamo, Italy, poses for a portrait at the end of her shift on the front lines of the coronavirus pandemic on March 27, 2020. (AP Photo/Antonio Calanni)

South African National Defense Forces patrol the Men’s Hostel in the densely populated Alexandra township east of Johannesburg on March 28, 2020, enforcing a strict lockdown in an effort to control the spread of the coronavirus. (AP Photo/Jerome Delay)

A protester carries a U.S. flag upside down as he walks past a burning building in Minneapolis on May 28, 2020, during a protest over the death of George Floyd, a Black man who died after a white Minneapolis police officer pressed a knee into his neck for several minutes. (AP Photo/Julio Cortez)

President Donald Trump arrives at a campaign rally in Toledo, Ohio, on Jan. 9, 2020. (AP Photo/Jacquelyn Martin)

Workers move a coffin with the body of a victim of COVID-19 as other coffins are stored waiting for burial or cremation at the Collserola morgue in Barcelona, Spain, on April 2, 2020. (AP Photo/Emilio Morenatti)

Arif Mirbaghi plays a double bass in his backyard during mandatory self-isolation to prevent the spread of the coronavirus in Tehran, Iran, on April 5, 2020. (AP Photo/Ebrahim Noroozi)

what is installation art history artists

To say that 2020 was a year like no other is an understatement. World events, from the COVID-19 pandemic to the Black Lives Matter protests, shaped the way we lived. And, as a consequence, they also shaped the way we saw and consumed art. With many museums and galleries closed for extended periods, artists were more resourceful than ever in getting their messages across. This was particularly true of installation artists.Many artists chose to focus their practice around what was happening in the world, and this often meant striking out on their own. From Dustin Klein‘s spontaneous light projections on the Robert E. Lee Monument to Jammie Holmes‘ powerful airplane banners with the last words of George Floyd, artists were not afraid to use their art to highlight social issues. Some, like flower designer Lewis Miller, even used their skills to give thanks to the brave healthcare workers putting their lives on the line during the pandemic.And while much art was centered around world events, there were also other incredible art installations that managed to come to life, giving people a break from the divisive and depressing realities of the world. From interactive sculptures in the desert to underwater sculptures in the Great Barrier Reef, these installations reflect the incredible creativity of today’s contemporary artists.

2020 was marked by art installations that commented on extraordinary world events.

 

Photo: Banksy

My wife hates it when I work from home by Banksy

Staying at home in lockdown didn’t make legendary street artist Banksy any less productive. He managed to find a space right in his own home to create an installation that exemplified how the whole world was going a little stir crazy. In this piece, which he captioned “My wife hates it when I work from home,” his rats run amok and wreak havoc in the bathroom.

From marking off the days in quarantine to using a roll of toilet paper to get a little exercise, these rats were all of us. And in posting this, Banksy once again showed how he’s able to use humor and irony to get through a tough situation. This wouldn’t be Banksy’s only artistic contribution related to COVID-19. He also painted artwork for a local hospital and his rats took over a subway car with a warning to wear your masks and sanitize your hands.

Photo: courtesy of Jammie Holmes and Library Street Collective

George Floyd Banners by Jammie Holmes

The senseless murder of George Floyd at the hands of Minneapolis police officers sparked outrage across the globe. Many artists used their craft to ensure that what happened to Floyd would not be forgotten, including Jammie Holmes. The artist organized airplanes to fly across five major U.S. cities carrying banners with Floyd’s last words. The results are an in your face, undeniable look at the pain one man suffered that had rippling effects felt by millions. In reflecting his words to the public, Holmes forced us to think about what we can do to ensure this does not keep happening.

“I hope that people will be reminded of the power we can have to be heard and that coming together behind a unified message is key for real change,” Holmes said. “Like countless silenced and fearful young Black men, I have been the victim of police misconduct on a number of occasions in my life. Our mothers are burying us way too early. My fiancée shouldn’t worry every time I’m headed out of the house on my own. Yes, I carry a pistol, Mr. Officer. I carry it to protect myself from you by any means necessary. At some point, you will realize you can’t kill us all.”

Photos: courtesy of Dustin Klein

Reclaiming the Monument by Dustin Klein

In the wake of George Floyd and Breonna Taylor’s deaths, widespread protests in support of the Black Lives Matter movement happened across America. And in many cities, old Confederate monuments were forcibly removed or ordered taken down by the legislature. In Richmond, Virginia the last remaining of these was the Robert E. Lee Monument. So while the city decided what measures to take, light projection artist Dustin Klein took matters into his own hands.

For several months, Klein projected images of Black victims of police violence on the face of the monument as a way to transform the meaning of the statue. As the faces of these victims took center stage, the public was allowed to use the space to mourn and gather their thoughts. Klein then extended the project to also include the faces of important Black citizens throughout history—such as Frederick Douglass and Harriet Tubman—as a way to acknowledge the great contributions they’ve made to our country. Klein’s project is a reminder that the best art can often come spontaneously from matters that move us.

 

Photo: Brian Adams

Bending Arc by Janet Echelman

Artist Janet Echelman is known for her large-scale installations using twine. Her work in St. Petersburg, Florida is no exception. Measuring 72 feet tall and spanning 424 feet, Bending Arc is a focal point of the new Pier Park. Flowing and billowing in the wind, the installation is even more magical at night when it’s lit up.

While the visual of the installation is impressive on its own, the work took on new meaning for Echelman when she discovered that it is located in an area that was important during the Civil Rights Movement. People gathered here in peaceful protest against the segregation of local municipal pools, which continued locally even after it was deemed unconstitutional. Upon learning this, Echelman decided on the title Bending Arc in a nod to a quote by Dr. Martin Luther King Jr.—”the arc of the moral universe is long, but it bends toward justice.“

Flower Flash by Lewis Miller Design

Throughout the COVID-19 pandemic, members of the public have been showing their appreciation for front-line healthcare workers. Floral designer Lewis Miller had his own unique way of giving thanks by placing his Flower Flash installations in strategic locations across New York. One stop included New York-Presbyterian Hospital, where roses, lilies, and cherry blossoms were placed in an ornate arrangement.

Though Lewis’ team was eventually asked to remove the flowers by hospital security, they made the most of it by handing out the flowers to the nurses, doctors, and healthcare workers who passed by. The positive reaction they had shows that even the most simple gestures can be the most powerful.

There were other installations that don’t focus on the pandemic or Black Lives Matter, but they certainly highlight the creativity on display in 2020.

 

Photo: courtesy of Jason deCaires Taylor

Coral Greenhouse by Jason deCaires Taylor

Sculptor Jason deCaires Taylor never disappoints with his underwater sculptures, and his latest installation in Australia’s Great Barrier Reef is no exception. After years of planning and installation, Taylor didn’t let the pandemic get in his way—he was able to open this new underwater park on schedule. Working with the local community, Taylor conceived the Coral Greenhouse. In this installation, the youth are in charge of running a laboratory to investigate the ocean. And as always, the setup makes a wonderful artificial reef for marine life.

“One of the overriding objectives was that we wanted young people to be inspired by marine science and fascinated by it,” Taylor told My Modern Met. “And want to have an active interest in the health of the reef and to be able to explore it in a fun and dynamic way. One of the big objectives was to create this space encompassing many areas, to be not only a space for art and culture but only about marine science and to use it as a portal or access point to explore the Great Barrier Reef.”

 

Photo: courtesy of Kate MccGwire

Discharge by Kate MccGwire

Sculptor Kate MccGwire views the use of repurposed materials as central to her creative practice. Her installation Discharge is an incredible example of how creative reuse can produce striking results. The London-based artist used around 10,000 pigeon feathers to create an explosion trickling from a bookcase.

By carefully sorting the feathers she collected, MccGwire was able to create this dynamic curve filled with abstract shapes. The result is at once mesmerizing and yet could be off-putting for viewers once they realize what the material is. This dual reaction is something the artist looks for, as she attempts to show the public how unexpected materials can be transformed into something aesthetically pleasing and beautiful.

 

Photo: ImagenSubliminal (Miguel de Guzmán and Rocío Romero)

To a raven and the hurricanes which bring back smells of humans in love from unknown places by Petrit Halilaj

When Madrid’s Palacio de Cristal reopened after the initial COVID-19 lockdown, they started with a bang. Kosovar artist Petrir Halilaj put on an incredible display with his installation To a raven and the hurricanes which bring back smells of humans in love from unknown places. Inspired by the mating rituals of bowerbirds, he filled the space with enormous, oversized flowers.

The flowers were made in collaboration with Halilaj’s life partner, Álvaro Urbano; and, in fact, the entire piece is meant to be a celebration of love. By declaring their love openly, they are starting a wider dialogue about acceptance and identity.‘

 

“Mirage” by eL Seed (Photo: Lance Gerber)

Desert X AlUla

Early in 2020, before most of the world was shut down, 14 artists traveled to the Saudi Arabian desert to create their own art oasis. Desert X AlUla is groundbreaking for Saudi Arabia, with a diverse lineup of young artists that included many women. Each artist was asked to use the desert as their canvas, and they all delivered.

Many created interactive pieces that invited visitors to engage with the art. From installations that visitors could swing on to artificial puddles that were meant to be jumped upon, each artwork is a reflection of its artist. Some, like eL Seed even took direct inspiration from the surroundings. His work Mirage is based on a 7th-century love story from the area.

“When I arrived in AlUla, I realized it would be impossible for me to compete with the environment,” eL Seed shared. “So I decided to create a work that would blend into the desert. Jameel and Butheyna were never able to be together. That’s also a mirage. Love is universal. It unites us all.”

 

Photo: courtesy of Arnaud Lapierre

AZIMUT by Arnaud Lapierre

Venice is already beautiful and, by harnessing its beauty, designer Arnaud Lapierre created a memorable installation. Using strategically placed mirrors that rotate, Lapierre’s AZIMUT reflects back fragments of the surroundings. Each mirror contains an unexpected detail of Venice’s historic architecture, which allows viewers to observe them in a new manner.

Unfortunately, this installation was cut short due to the pandemic, but the power of the piece lives on through photos and videos.

Unseen photos provide a sensitive look at America’s early ‘working girls’

From CNN
women in sexual professions have always distinguished themselves from other women, from the mores of the time, by pushing the boundaries of style. The most celebrated concubines and courtesans in history set the trends in their respective courts. The great dames of burlesque — Sally Rand, Gypsy Rose Lee — boasted a signature style on- and offstage, reflecting broader-than-life personalities.
Given that photography was still an emerging technology, an emerging creative medium, when these “working girls” posed for William Goldman in the 1890s at a Reading, Pennsylvania brothel, the entire exercise transcends their initial business liaison. The instantaneous concept of click-and-shoot was still decades away. To be photographed required sitting very still. The women featured in Goldman’s collection obviously caught his eye. Not just anyone is asked to be the subject of artistic documentation.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The local photographer and his anonymous muses appear to straddle an artful titillation, at times striving toward Degas nudes and at another, more in the spirit of a strip and tease. There is a beauty in even the most mundane moments.
Among Goldman’s models, my own gaze zeroed in on the striped stockings and darker shades of their risqué brassieres. These ladies of Reading, Pennsylvania, might not have had the wealth of Madame du Barry, celebrated mistress of Louis XV of France, or the fame and freedom of a silver-screen sex goddess such as Mae West. But they sought to elevate their circumstances, to feel lovelier and more fashionable, with a daring pair of knickers.
Courtesy Serge Sorokko Gallery/Glitterati Editions
To feel special is fundamental to the human condition. Few opportunities outshine a sense of specialness than when an artist asks to record your looks, your beauty. Under the right circumstances, to be the object of admiration — of desire — to be what is essentially objectified is not only flattering. It can also provide a shot of confidence and a sense of strength and power and even liberation, however lasting or fleeting.
Courtesy Serge Sorokko Gallery/Glitterati Editions
For these working girls who were already going against the drudgery of toiling in a factory or as a domestic, who were surviving in a patriarchal world by their wits and sexuality, the opportunity to sit for Goldman was very likely not only thrilling. It was also empowering.
One can only imagine the mutual giddiness prevailing among them all, too, at the possible outcome from all these lost afternoon shoots. In a singular image from this collection appears Goldman striking a pose as proud as a peacock. It’s one of stock masculinity in the canons of classic portraiture (though usually in military uniform), and like his muses, presented in all his naked glory. By sharing in the objectivity of the process, Goldman basks in the specialness his models must have felt. By stepping around the lens, he becomes a true confidante.
Courtesy Serge Sorokko Gallery/Glitterati Editions
It suggests a balance of power between artist and muse, man and woman — at least behind closed doors. Their collective decision to strip and strut for the camera reveals a shared lack of shame for the body beautiful and, in that, a shared, albeit secret, defiance of cultural mores.
Courtesy Serge Sorokko Gallery/Glitterati Editions
By all accounts from curator Robert Flynn Johnson’s devoted research on this once-lost collection, Goldman seems to have kept his treasured collection as a personal trove. As a successful photographer of weddings and social events, it was most certainly not in his interest for the public to know about his private creative pursuits.
Courtesy Serge Sorokko Gallery/Glitterati Editions
The brothel was a necessary evil in town, where men with certain desires visited women who would oblige. In this case, it was the desire of a man to capture the beauty and sensuality of the women he befriended. There is much to learn and (most of all!) take pleasure in with this discovery.
As these lost photographs illustrate more than a century later, one period’s “social problem” is another’s cultural revelation.

In pictures: Soccer legend Diego Maradona

FROM CNN

Diego Maradona is carried around the field after leading Argentina to victory in the 1986 World Cup final. Argentina defeated West Germany at the Azteca Stadium in Mexico City.

Carlo Fumagalli/AP

Diego Maradona, a colorful and beloved soccer icon regarded as one of the greatest ever to play the game, has died after suffering a cardiac arrest at the age of 60, his lawyer confirmed to CNN.

Maradona is best known for captaining Argentina to victory at the 1986 World Cup, where he was named the tournament’s best player and scored two of its most famous goals. In his professional career, he was twice sold for a world-record transfer fee: to Barcelona in 1982 and then to Napoli in 1984. He played 188 games with Napoli, winning two Serie A titles and a UEFA Cup for the Italian club.

Following a failed drug test in 1991 and a 15-month ban from the sport, Maradona’s playing career fizzled out. He would later turn to management.

In 2008, Maradona became Argentina’s manager and led the team at the 2010 World Cup, where it was eliminated in the quarterfinals. He held various managerial jobs over the past decade, including stints in Mexico and the United Arab Emirates. At the time of his death, he was in charge of Gimnasia y Esgrima, a club in Argentina’s first division.

Earlier this month, Maradona underwent successful surgery for a subdural hematoma — more commonly known as a blood clot on the brain.

In photos: Macy’s Thanksgiving Day Parade 2019

From CNN

The Macy’s Thanksgiving Day Parade has been a holiday tradition for nearly 100 years.

The annual parade in New York City started in 1924. Balloons first appeared in 1927, replacing live animals from the Central Park Zoo.

This year’s balloons were nearly grounded due to windy weather conditions.

‘If I’m not in on Friday, I might be dead’: chilling facts about UK femicide

One woman is killed by a man every three days in the UK – a figure unchanged in a decade. A new census analyses this epidemic of male violence

From theguardian/ By /Nov.22

In 2013, Sasha Marsden, a 16-year-old student, went to a Blackpool hotel for what she thought was an interview for a part-time cleaning job. The man she met, David Minto, 23, had lured her there on false pretences. He then sexually assaulted her and stabbed her 58 times. Sasha could only be identified by DNA taken from her toothbrush. Minto was sentenced to 35 years in prison, but for Sasha’s family, their grief has no time limit.

Gemma Aitchison, Sasha’s sister, set up YES Matters UK in response to the killing. “I wanted to know why this happened to Sasha and what I could do about it,” she explains. Part of what her organisation does is to talk to young people about consent, body image, pornography and media influence. “What I know now is that as long as women are treated as objects and not people, we will continue to be disposable.”

This Wednesday is International Day for the Elimination of Violence Against Women, which will see the start of 16 days of activism against gender violence globally. That same day also sees the publication in the UK of a groundbreaking report, Femicide Census, which, for the first time in Britain, analyses the shocking killings of women and girls, from the age of 14 to 100, at the hands of men, over a 10-year period, 2009-2018. The census defines “femicide’” as “men’s fatal violence against women”, and reveals that, on average, a woman was murdered every three days – a horrifying statistic, unchanged over the decade. This is in spite of greater public awareness, increased research, changes in the law and improved training for the police. “Patterns of male violence are persistent and enduring,” the report states.

Gemma Aitchison

Gemma Aitchison at home in Westhoughton, Bolton, where she runs the YES Matters UK programme, set up after the rape and murder of her younger sister, Sasha Marsden, in 2013. Photograph: Christopher Thomond/The Observer

The scandalous lack of progress in reducing femicide in the UK is, in part, because each killing, is treated by various agencies as “an isolated incident” and “giving no cause for wider public concern”. As a result, the report says, information received from the police via, for instance, Freedom of Information requests, can be “sparse, inaccurate or incomplete”; coroners’ reports often fail to reference a history of male violence, while it is difficult to access official documents such as Independent Office for Police Conduct reports and domestic homicide reviews, all of which, along with media coverage, feed into the database of the census.

“To solve a problem, you need to be able to say what it is,” says Karen Ingala Smith, chief executive of Nia, a sexual and domestic violence charity. She and Clarissa O’Callaghan, a former solicitor and now restauranteur, published the first Femicide Census, a six-year review 2009-15, in 2016. Three annual reports have since followed with the help of a small team of part-time researchers and pro bono support from Freshfields Bruckhouse Deringer, an international law firm, and consultants Deloitte.

Now, with a decade of deaths to look back on, the census draws some damning conclusions about patterns of abuse and violence, and what could have been – or should have been – spotted by the authorities.

Karen Ingala Smith

Karen Ingala Smith, chief executive of the sexual and domestic violence charity Nia, and co-founder of the Femicide Census. Photograph: Sophia Evans/The Observer

Of the 1,425 victims, almost half were killed by “a sharp instrument”, sometimes with additional brutal violence (classed as an “overkilling”). “The most common form of femicide is stabbing,” Ingala Smith says. “Yet most knife-crime strategies focus on teenagers and gang crime. Strangulation was the second method. Non-fatal strangulation is often part of a pattern of abuse that is not sufficiently recognised and investigated. Ingala Smith and O’Callaghan support the campaign by the Centre for Women’s Justice to add an amendment to the domestic abuse bill, due to become law next year, to include a new offence of non-fatal strangulation.

Sixty-two per cent of the dead women (888) were killed by a current or former partner, most in their own homes. Four in 10 of these women were preparing to leave or had already separated – a crucial period, and an opportunity missed for police and others on the frontline, such as GPs and mental health advocates, to prevent a killing. “‘Home is where the heart is’ is a bitter lie for many women,” the report says.

A history of abuse was evident in at least 611 cases (59%), including coercive control, stalking, harassment and physical, financial and emotional mistreatment. A third of the women had reported their abuse to the police. They still died.

20-year-old Kirsty Treloar who was murdered in 2012.

Kirsty Treloar was murdered by her boyfriend in 2012, when she was 20.

The Femicide Census originally came about because of Kirsty Treloar, a 20-year-old nursery nurse, who had asked for help. Police had referred her to Nia, Ingala Smith’s organisation. On 2 January 2012, Treloar was stabbed 29 times by her abusive boyfriend, Myles Williams, aged 19. “I googled Kirsty because we were told so little about her death,” Ingala Smith explains. “That’s when I saw the shocking number of reports of deaths already that year.”

Eight women were killed in the first three days of 2012. Ingala Smith created a website, Counting Dead Women (CDW), now replicated across the world. While CDW records every killing, the census team researches and include only cases in which, “it can be legally said: a man has killed this woman”.

“It can’t be the case that we are the only ones collecting data like this,” says Ingala Smith. “But we are. From the outset, it was essential to include all thecircumstances in which men kill women, not just husbands, partner and family femicides.” O’Callaghan adds: “The state is failing to protect women, failing to implement policies, failing to take on board recommendations. You can spend time training but if, on the ground, you don’t implement the tools that are available – including injunctions, non-molestation orders and bail conditions – you are failing to save women’s lives, and that’s a human rights issue. “

Over the decade, sexual motivation ended the lives of 57 women (4%). One perpetrator raped and killed a 50-year-old on their first meeting. She had internal injuries and bite marks. Thirty-two murdered women had been involved in the sex industry. Sixteen per cent of victims were born outside the UK, yet police recorded ethnicity in only a fifth of cases. The domestic abuse bill’s provisions excludes migrant women. “If services are not alert to the reality that violence against women occurs across all backgrounds, then they are less likely to identify those at risk,” the census points out.

Ingala Smith and O’Callaghan say the state’s response is also dangerously gender blind. Globally, while homicide figures are declining, femicide is on the rise. “We have a domestic abuse bill, not an end violence against women and girls bill,” Ingala Smith says. “That minimises sex differences. Men who kill do so within a context of endemic sex discrimination in a society that normalises male predatory behaviour from an early age and is too eager to blame victims.”

The census points out that the UK remains one of few countries in Europe that has not ratified the Istanbul Convention, which draws on the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW). “It recognises that men’s violence against women and girls will not be eradicated without fundamentally addressing sex inequality and the beliefs, attitudes and institutions that underpin it,” the census points out.

Eleven women were killed by their grandsons. “If you focus only on partner violence, you are missing a whole spectrum of violence that may also be generational,” the report says. Excluded from the census are “hidden homicides”. In one case, for instance, it was decided a woman had stabbed herself, even though a witness said otherwise. “There should be more professional curiosity when a sudden death occurs in the context of domestic abuse,” criminologist Dr Jane Monckton Smith says in the report.

Clarissa O’Callaghan

Clarissa O’Callaghan, co-founder of the Femicide Census. Photograph: Gary Calton/The Observer

The subheading of the Femicide Census is, “If I’m Not In On Friday, I Might Be Dead”. These are the words of Judith Nibbs, mother of five, who was beheaded by her husband of 30 years, Dempsey Nibbs. The report is dedicated to her memory and to every victim of femicide over the decade, each name listed. “People say, ‘It’s only a few women a week that die’,” Gemma Aitchison says. “But it’s been a few women a week ever since I was born, and I’m 34. It’s a huge systemic problem. The census says these women matter. ”

The Femicide Census concludes with a series of recommendations, including the thorough collection of sex-desegregated data, ratification of the Istanbul Convention, and improved funding. Domestic abuse costs society over £66bn a year. A report last year calculated that £393m a year is needed to provide safety and support, yet funding is a fraction of that. In lockdown, femicide has escalated.

“If this government is really committed to ending male violence against women, it needs cross-party support for a long-term woman-centred approach that recognises sex inequality is intrinsic to a patriarchal society,” Ingala Smith says. “A start could be made if state institutions did their jobs properly.”

The census is a unique benchmark of accountability. However, it’s future is in doubt. “We are dependent on donations and pro bono support,” Ingala Smith says. “I wish we could say we will be here for the next 10 years but we can’t. If we don’t do this work, who else will?”

Femicide victims from 2019 (main image, at the top of this feature):
Top row, from left: Aliny Mendes, 39; Sarah Henshaw, 40; Rosie Darbyshire, 27; Charlotte Huggins, 33; Jodie Chesney, 17; Leanne Unsworth, 40.
Second row, from left: Sarah Fuller, 35; Amy Parsons, 35; Asma Begum, 31; Elize Stevens, 50; Laureline Garcia-Bertaux, 34; Antoinette Donnegan, 52.
Third row, from left: Lucy Rushton, 30; Kelly Fauvrelle, 26; Dorothy Woolmer, 89; Bethany Fields, 21; Megan Newton, 18; Ellie Gould, 17.
Fourth row, from left: Suvekshya Burathoki, 32; Julia Rawson, 42; Diane Dyer, 61; Kayleigh Hanks, 29; Keeley Bunker, 20; Joanne Hamer, 48.
Bottom row, from left: Sarah Hassall, 38; Nicola Stevenson, 39; Angela Tarver, 86; Leah Fray, 27; Mihrican Mustafa, 38; Sammy-Lee Lodwig, 22.

When love is not enough

No mother wants to leave her child — but in the Philippines, it can feel like there’s no other choice. Unable to earn enough money at home, an estimated 2.2 million Filipinos worked overseas last year, according to the Philippine Statistics Authority. The majority were women, many hoping to give their child a better future.

They work as nurses, hospitality staff, nannies and cleaners. Last year, they sent $33.5 billion back to the Philippines in personal remittances — a record high, according to the country’s central bank.

More than 2.2 million Filipinos worked overseas in 2019The top five destinations were in Asia and the Middle East

 

 

优雅运动 经典传续 帝舵启承碧湾型 41

近十年来,帝舵表在市场上取得了巨大的成功。这其中的关键因素,或者说最令钟表爱好者们为之着迷的,便是帝舵表通过发掘自身历史宝库创造出的启承碧湾(Heritage Black Bay)系列腕表。

享誉国际的瑞士高级腕表品牌帝舵表,虽然不算制表行业中历史最悠久的,但在对产品质量的把控以及风格的连贯性方面却鲜有品牌能及。

帝舵表的商标(“The Tudor” )最初是由劳力士创始人汉斯·威尔斯多夫(Hans Wilsdorf)于1926 年注册,他后来在1946年正式创立了Montres Tudor SA公司。从那时起,帝舵表便牢牢定位在以普通人易于接受的价格提供与劳力士同样值得信赖的产品上,且几十年来从未发生过改变。其生产的机械腕表精致优雅,品质卓越,风格鲜明,一直是深受消费者青睐的物超所值之选。同时,帝舵表也凭借着精确可靠的性能,赢得了全球水、陆、冰(严寒地带)三大领域探险家们的肯定。

启承碧湾 演绎经典

2010年,基于对自身丰富历史资源的发掘,帝舵表推出了全新的Heritage——启承系列腕表。该系列并非单纯复刻经典表款,而是将传统的美学特色和设计元素藉由当代的制表工艺进行重新演绎。

如2010年首发的帝舵启承计时腕表(Heritage Chrono),便重新演绎了1970年面世的首款帝舵计时腕表。随后的启承响闹腕表(Heritage Advisor)和启承碧湾潜水表(Heritage Black Bay),同样让帝舵表在历史上的杰作以崭新姿态在启承系列中重生。

它们以一种似旧还新的方式,有条不紊地呈现出了原款腕表的经典细节,同时在制作工艺和美学方面一丝不苟——这种既怀旧又时尚,既忠于经典又与时俱进的风格,正是启承系列的魅力所在。

启承系列中最具代表性的作品当属启承碧湾(Heritage Black Bay)系列,它是从上世纪五十年代以来的帝舵潜水腕表中汲取的设计灵感。

在钟表收藏家眼中,帝舵潜水腕表无疑是一座取之不竭的宝藏。它蕴藏着清晰的产品发展脉络,一系列在古董表市场上赫赫有名的型号,以及众多脍炙人口的设计元素和细节。例如第一代防水深度达200米(660 英尺)的帝舵潜水表的”大表冠”,其旋入式表冠直径高达8毫米,故得名“Big Crown”。再比如1969年开始为法国海军批量生产的表款,采用了钟表爱好者们耳熟能详的、名为“雪花”的棱角形夜光指针——它是唯帝舵潜水表所独有的特征。

碧湾型41 动静相宜

正因如此,重新演绎的启承碧湾(Heritage Black Bay)系列腕表也拥有着异常丰富的设计元素的组成,包括经典的潜水表单向旋转外圈、圆拱形的仿合成树脂表镜等等,并由此构成了多个热门的款式。

而启承碧湾型 41(Heritage Black Bay 41)算是其中比较“另类”的一款作品。它是为了满足现代都市生活中不同场合的穿戴需求而打造,一方面保留了启承碧湾系列的整体造型和经典特征,尤其是覆有夜光涂层的“雪花”指针和“大表冠”这两个最具代表性的特征。

另一方面,碧湾型 41的设计风格更偏优雅简约,以磨光的钢制外圈取代了潜水表专属的单向旋转外圈,以平面蓝水晶表镜取代了复古的圆拱形表镜。经过重新打造的中层表壳也变得更加纤薄,使腕表得以轻松收入衬衫袖口。

由此而生的启承碧湾型 41兼具优雅气质和运动气息,41毫米的尺寸搭配优雅的黑色漆面表盘,可以在商务、休闲等不同的场合及着装风格间自由切换。腕表内部装配2824 型自动上链机芯,防水深度达150米,足以胜任日常佩戴的需求。

帝舵表还特为碧湾型 41提供了钢制表带和皮表带供选择,并额外附送一条都市迷彩风格织纹表带。该织纹表带采用法国圣艾蒂安(St-Etienne)地区传统提花工艺制作,表带上的迷彩图案并印制,而是以不同颜色的丝线编织而成,且兼具佩戴的舒适性与任性,亦体现出了帝舵表在工艺方面的一丝不苟。

LIFE IN COLOR: THROWBACK PHOTOS SHOWING WHAT IT WAS LIKE TO GROW UP IN THE 50S, 60S, AND 70S

From BBC

Remember the days before modern technology, endless Netflix streaming, and social distancing? Our pace of life used to be very different from how it is today, and we wanted to take a look at how it was in the age before smartphones. This photo series shows the rare and behind the scenes moments of everyday life in the ’50s, ’60s, and ’70s.

We take a peek inside the workplaces, public spaces, and nightlife hot zones that memories were made of. Take a look at our handpicked selection of the best color photos that capture those forgotten moments. Just try not to lose yourself in the past!

An Old School Inkjet

Back in the ’60s, modern workspaces looked very different from what they do today. Believe it or not, this is actually a Recordak reader printer! The operator in the picture is inserting film into the left side slot, where it will be automatically loaded. Depending on the model, the film would load in a 3M type cartridge or the reel would be held in a clip.

Either way, the film was loaded with no extra handling needed from the operator. Luxury certainly looked a lot different back in the day. Even in terms of dress sense. Imagine having to get that dressed up every day, a full face of makeup and everything!

Can I Take This Book Out?

This one’s a real nostalgic throwback to the public libraries of the ’70s. In this image, students are seen speaking with the public library staff back when things weren’t digital. If you wanted to find out if a book was available, or speak to someone about your account, you had to wade through mountains of paper files.

This colorized photo from the ’50s shows a group of young, debutant women at a cocktail party. They are absolutely glowing in their minimal makeup and glorious ball gowns. This was the sought after style of the decade.

There’s something about these gorgeous fashions that just makes us want to play dress up. In those days, women wanted to wear dresses that cinched in their waist and cascaded down to their ankles. They came in all kinds of beautiful designs, bright colors, and decorative patterns.

Flying in Style

Take it all in: piano man Billy Joel reclines in his first-class airline seat in 1978. He was traveling from Austin to Dallas during a tour that promoted his 52nd Street album, but clearly the job had a few perks. He looks ever the singing and songwriting superstar in his big shades and baseball cap.

With that much legroom on a plane, we’re not surprised Billy’s feeling relaxed. And the way they’ve decorated could have only been pulled off in the ’70s. The designers opted for a gradient of sunset colors and, incredibly, matching plane seats. It looks more like a kids funhouse than it does a commercial aircraft.

One Way to Keep the Kids Hydrated

Who remembers being reminded to have a snack and a drink when we were busy playing games with other kids? This parent came up with the best solution; watermelon. t’s both one of your five fruits and vegetables a day and a thirst-quencher.

These local neighborhood kids are taking a rest from running around to enjoy the fresh watermelon while it lasts. And we’re loving the style on show. Flares, bright colors, and geometric patterns weren’t reserved for the adults alone. These kids are well-kitted out with the fashion of the decade.

A Problematic Carseat

This baby from the ’50s looks super cute in his old-man flat cap and all-white ensemble and has a surprisingly stylish car seat to match. We had no idea that parents back then could get their hands on a sleek, minimal, and chrome-finished seat for their little ones.

Of course, it looks considerably less safe. This was back in the days where there were far fewer road rules and regulations, and babies could ride in the front seat without being strapped in! It’s a scary thought, and an interesting image to see just how far we’ve come since then.

Catching Rays at Any Age

 This photo depicts two different generations sitting on a London bench in the famous uptown Chelsea neighborhood. A young woman takes a break in the sun and enjoys her ice cream, while another woman watches on. We don’t know about you but we find this image of two worlds sat next to each other very endearing.

 

The Retrofuturistic Aesthetic

Take a look at retrofuturism at its finest. In the ’60s, fantasizing and imagining what kind of future awaits us was the big thing, encouraged by the strides made in space travel and Commander Neil Armstrong landing on the moon.

These two costumed actors at Disneyland are a perfect example of what attracted so many to the idea of a technologically advanced future. People anticipated the styles that will come, the sleek and streamlined looks, and the advancements in science and technology. It was irresistible to people’s imaginations.

Car Culture in the ’50s

A fascination with antique cars was around even in the ’50s. Check out the parking garage of this drive-through, where a bunch of young men loiters about next to the blue car of a bygone era. The irony is that all of their cars are, by today’s standards, considered classic cars.

In the ’50s, drive-throughs were a regular social hangout for young people, and this photo captures that perfectly. They could get fast food at a low price and linger around each other cars, coming and going as they please. One step up was the drive-in theater when many young couples would have their dates.

The Fast-Food Boom

A fast-food chain that’s still alive and well today is Jack in the Box, the drive-through that specialized in hamburgers. Many of the fast-food chains were born in the ’50s such as Wendy’s and McDonald’s, and it’s pretty fascinating to see what they looked like in their early days. We can see that Jack in the Box went for a playful company design even back then.

ack in the Box was founded in 1951, first opening in San Diego. They had an intercom system connected to their tiny restaurant space and offered the passing traffic hamburgers for only 18 cents. In 1954, they successfully expanded their business in Texas. Fast forward almost 70 years, and they have over 2,000 restaurants now in the US.

What a Real Seventies Wedding Looked Like

One Reddit user just had to share this image of their parents looking, as they put it, “magazine shoot ready at their wedding.” It was the late ’70s and boy, was fashion different back then. It was a hot summer day in South Dakota and they had made their day a family-only affair.

You might have noticed that their cake is leaning a little more on one side. The person who posted it admitted that since it was so low-key, the cake was handmade. We’re just loving the vibe of this couple either way. From the bride’s peasant-style gown to the groom’s brown tuxedo and ruffled shirt, you couldn’t get more ’70s than that.

The Happiest Sound of Our Childhood

There’s nothing that brought more joy to our young ears than hearing that the local ice cream truck had finally come to our part of town. That being said, it’s not just for kids – adults would also hurry to get a frozen treat whether they like to admit it or not. Take a look at this ’70s throwback of a line of people waiting to be served by Mister Softee.

It’s interesting to see that in almost 50 years, hardly anything has changed. Ice cream vans still advertise their delicious treats in posters along the side of the vehicle, and they still drive through neighborhoods playing music. We guess it comes down to the old saying: if it ain’t broke, don’t fix it!

A Picnic With the Gals

It may not have the popularity that it has today but even in the ’50s, some people took to bathing in the sun, hoping for a tan. As is the case for these four young women, three of them have dressed down to their bathing suits to get the best possible results (while still remaining modest!)

These ladies are doing what people still do to this day. They meet up and hang out outside in a park looking to get the most out of the good weather. We love seeing that these young women chose to picnic out in the open with not a care in the world about onlookers.

Limitless Advertising

We didn’t realize that advertising was quite so forceful back in 1960. Take a look at this corner shop that’s been plastered with Coca Cola ads on every square inch. No wonder it’s such a staple household drink – even for these young kids, with all that signage, buying a refreshing cola seems hard to resist.

Taken by photographer Fred Herzog, he took this color image in 1960, when color photography still wasn’t taken as seriously as the classic black and white. He persisted, favoring bold colors in particular. He loved to capture the complexities of street life, and in the end, it paid off. This photo is worth up to $5,000 today.

Vintage Groceries

Supermarkets in the south have a reputation for being large and selling products in bulk-sized quantities. This image proves that it was also the case back in the ’50s, where we can see two friends bump into each other during their regular household shop.

If we’re trying to see the evolution of supermarkets this photo doesn’t really help! As we can see, the aisles look pretty much the same as they do today – filled to the edge with packaged items. The only notable difference we can see is that the labels were far less descriptive or attention-grabbing. No $0.99 here!

The OG Supermodel

Before Kate Moss and Bella Hadid, there was fashion model Anne Sainte-Marie. She was one of the most popular models in the fifties, appearing in tons of publications and magazines. On numerous occasions, she graced the cover of Vogue. Here she is in 1959, by a pool in New York City.

Well-connected, she was a so-called “it girl” of her day, attending society parties and rubbing shoulders with the rich and famous. Here, she models a stunning pastel-colored gown that featured intricate beading and a matching headpiece. To us, she looks reminiscent of Audrey Hepburn.

The City of Dreams

This stunning editorial picture from 1958 features two fashion models in New York City. Their style of dress appealed to the targeted readers of Vogue, who were wealthy high-society women. It was taken by the famous fashion photographer Sante Forlano and remains to be one of his best-known photographs.

This stunning editorial picture from 1958 features two fashion models in New York City. Their style of dress appealed to the targeted readers of Vogue, who were wealthy high-society women. It was taken by the famous fashion photographer Sante Forlano and remains to be one of his best-known photographs.